2012 Participating Groups
| Down 4 The Count|
Down 4 The Count began in 2003, when six CSU Northridge students in the University's vocal jazz ensemble found they shared a common interest: wanting to sing ensemble vocal jazz without those pesky instrumentalists: in other words, A Cappella! Since that time, Down 4 The Count has won multiple awards (including three song-arrangement awards and 1st place at the 2009 San Diego A Cappella Competition) and they have performed at venues all over the greater Los Angeles and San Diego area, including the Jazz Bakery, The Coach House, The Coffee Gallery Backstage, San Diego IndieFest, and many more.
Members: Penny Watson, Christine Tavares, Jason Lingle, Vincent Johnson, Colleen Keene
| Six Appeal|
Is Six Appeal a comedy group, a vocal ensemble, or a rock band? Audiences have been trying to answer that question for years. Swearing off instruments, Six Appeal uses a cappella singing to span decades of classic oldies, current chart toppers, and catchy original tunes. Featuring vocal dexterity and adventurous song selection, the group explores all genres with a far-reaching repertoire that will surprise and captivate audiences regardless of the setting.
Despite their cheeky group name, the antics of these six young gentlemen provide a good natured atmosphere for their electrifying performance. A Six Appeal show will split your sides, feed your musical sweet tooth, and leave you wondering how in the world they pulled it off just with voices.
Members: Michael Brookens, Trey Jones, Nathan Hickey, Reuben Hushagen, Andrew Berkowitz, Jordan Roll
Audiofeels is a group of friends, whose eight individual musical tastes unite in one fascination for the unique capacity of human voice. They represent Vocal Play, a style that uses human voice for making music in a way that transforms an a cappella performance into a rich vocal orchestra. Using only their vocal chords to replicate instruments, Audiofeels in fact become instruments to create an impression of an entire orchestra on stage. Their adventure began in the Adam Mickiewicz University Choir in Poznan, Poland where they met and where after years of singing together they decided to pursue their dreams in a different "direction".
Members: Marek Lewandowski, Marcin Illukiewicz, Bartosz Michalak, Michal Szajkowski, Bartosz Lehmann, Michal Stec, Jaroslaw Weidner
| Sing Theory|
Sing Theory is a modern vocal quartet, dedicated to uniquely interpreting jazz and pop standards, and preserving and developing the art of vocalese. The quartet is a configuration of familiar faces from the Bay Area vocal jazz scene. Members of the group originally met through the De Anza College jazz ensemble Vocal Flight, and have sung together in several variations since the mid 1990s, including +4db, Vocalese Inc., Moodswing, and Clockwork. Sing Theory most recently appeared as the Angel City 4 in Hillbarn Theater's production of "City of Angels"
Members: Zach Yaholkovsky, Juliet Green, Michelle Hawkins, Dave Duran
| Foreign Exchange|
Foreign Exchange is a female foursome made up of members from 3 different countries, brought together by the power of music. We formed in 2009 and have loved making music together ever since. We are officially a barbershop quartet, but we sing everything from jazz to disco to broadway classics. Over the last year we have been quite busy, traveling throughout the Northeast and performing for various groups. The cherry on top was when we became the Harmony, Inc. International Quartet Champion of 2011 in November. In March we began the process of recording our first CD which will drop in the fall. Check out our website or facebook page to find out more and to see if we'll be performing near you!
Members: Morgan La Croix, Maria Gabriella, Nanda Landers, Amanda Holloway
| Rooftop Rhythm|
Rooftop Rhythm began in Spring of 2010 when Jacob, Nate, and Ashley began looking for a bass singer to complete the group. After a short search, Steve was brought into the fold and things took off. The quartet honed their style through practice, recreation, and a rough two weekends roofing a garage. Sure, Steve nailed Jake’s jeans to the roof, but the quartet survived and became close friends and hard workers.
In July, their hard work paid off when they finished 49th in the world at the Barbershop Harmony Society International Convention. Rooftop Rhythm has sung in many venues, including contests, barbershop shows, corporate meetings, sporting events, and private functions. It’s rare for these four gentlemen to turn down the opportunity to show folks how great a cappella music can be. With a varied repertoire that includes barbershop, jazz, opera, Americana, and gospel, you’re sure to find something you like
Members: Jacob Oxley, Nathan Oxley, Steve Schoultz, Ashley York
This group began in the summer of 2011, bringing together different musical backgrounds: jazz, pop, barbershop and musical theater. Things seemed to click so easily, they all knew that they could do great things. GQ brings some new repertoire to the a cappella scene, featuring material by some of their favorite artists you may not have heard, and exploring other possibilities outside of the norm. But most of all they have become really good friends who have a passion and drive for singing and who try to create something special each time they perform.
Members: Katie Macdonald, Amanda McNutt, Ali Hauger, Katie Gillis
||Steve Baker |
Steve Baker has been the Executive Director of the Freight & Salvage since 1996. Since its founding in 1968, the Freight has been a leading presenter of a cappella music—perhaps, as some have described, "the home of Bay Area" a cappella.” Groups who have performed there include The House Jacks, Bobs, M-Pact, Kitka, Hookslide, Edlos, Da Vinci's Notebook and many others. Before joining the Freight family he worked in the nonprofit arts sector as an attorney and a program administrator and attorney. In addition, Steve plays guitar and performs regularly with his musical cohorts at clubs and private events throughout the Bay Area.
Charles Eisler is one of San Francisco's leading producers and managers of live theatre. Mr. Eisler has produced Beehive the 60’s Musical Sensation in Las Vegas, Detroit, Houston, Fort Worth, San Jose, and Phoenix, and on a 70-city national tour. In San Francisco, productions include the Cole Porter musical revue Cole, Forever Plaid, and Noises Off that toured to many West Coast cities. Mr. Eisler has acted as general manager for Sylvia, Free Food, Together Again, starring Sid Caesar and Imogene Coca, Night Dreams, and Tunnel Rats. Mr. Eisler owned and operated the Mason Street Theatre in San Francisco, where Shear Madness played for four years, and the Union Square Playhouse, which housed the comedy hit Late Nite Catechism. On Broadway, Mr. Eisler produced the Alan Jay Lerner musical, Music! Music! He general managed the national tours of Man of La Mancha with Richard Kiley, and Fiddler on the Roof with Hershel Bernardi; The Abbey Theatre; the Shenyang Acrobats, and the Wushu Martial Arts Exhibition from the Peoples’ Republic of China; The National Theatre of Greece; The National Folk Theatre of Ireland; and the Gavella Theatre of Zagreb. Mr. Eisler is currently co-writing a new musical that uses the words and music of Cole Porter.
||Shai Fishman |
Shai's credits as a composer include the I-Max film Future Moon, Dinosaur's Prophecy, 2012: Secrets of the Mayans and Night of the Titanic. His original musical theater productions include: Brecht's The Caucasian Chalk Circle, Rachav's Cabaret, The Dream: A Band, Return to Sender, Samson & Delilah, and Towards the Horizon. Shai was recently honored for his musical direction and arrangements on T-Mobile's "Welcome Back" campaign and received the BTAA's 2011 best commercial of the year. Shai currently spends his time between New York City and Los Angeles, where he operates and runs Fish-i Studios - a production house and music label, in which he composes music for motion pictures, television, commercials and theater. Shai Fishman Serves as head composer for NASA, Houston Museum of Natural Science Avela Communications, Carnegie Museum of Natural History E-planetarium and RICE University and also as Project Manager at Amoeba Music, Hollywood and is the LP Restoration and digitization Project leader for Amoeba.com
Jesse Hamlin is an award-winning music writer and a respected veteran reporter of the the San Francisco entertainment scene. Hamlin has a regular column in the San Francisco Chronicle where he has worked as senior jazz critic and arts reporter for many years. He also contributes regularly to SF Arts magazine and to San Francisco Classical Voice, where he writes about jazz, Latin and classical music. His work has appeared in the New York Times, California magazine and in many other print and online publications.
||Chloe Veltman |
Chloe Veltman covers arts and culture stories both locally and nationally for NPR and PBS. Prior to joining KQED in 2015, Chloe launched and led the arts bureau at Colorado Public Radio, was the Bay Area’s culture columnist for the New York Times, and was also the founder, host and executive producer of VoiceBox, a national award-winning weekly podcast/radio show and live events series all about the human voice.
Chloe is the recipient of numerous prizes, grants and fellowships including both the John S. Knight Journalism Fellowship and Humanities Center Fellowship at Stanford University, the Poynter Fellowship at Yale University, the Belle Foundation Prize, a Wattis Foundation grant, the Sundance Arts Writing Fellowship and a Library of Congress Research Fellowship.
Complete list of 2012 participants
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Groups of any style are welcome, but you must have between
3 and 12 members. We have a rule book which explains many of the
details of the event, which you can see by clicking here. All groups must audition in
order to compete. Generally this is done by sending a current tape
and photo, although live auditions are sometimes arranged. The
purpose of the audition is to make sure the group is appropriate for
the Festival and to help the Director determine the performance
order. If a group has competed previously, the audition process may
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